### 4.3. Desentrelaçar

#### 4.3.1. Visão Geral

Images captured by videocards, especially when fast movement is recorded, may look blurred and stripped, with split objects. This is due to how cameras work. They don't record 25 images per second, but 50, with half vertical resolution. There are two interlaced images in one frame. First line of first image is followed by first line of second image followed by second line of first image, etc. So, if there have been an important move between the two images, objects will appear split, shifted, stripped.

The Deinterlace filter keeps only one of both images and replaces missing lines by a gradient between previous and following lines. The resulting image, or selection, will be somewhat blurred, but can be improved by enhance filters.

Você pode encontrar imagens entrelaçadas em [WKPD-DEINTERLACE].

#### 4.3.2. Activating the Filter

This filter is found in the main menu under Filters → Enhance → Deinterlace….

#### 4.3.3. Opções

Figura 17.39. Opções do filtro Desentrelaçar

Presets, “Input Type”, Clipping, Blending Options, Previsão, Merge filter, Split view

  | Nota
  These options are described in Seção 2, “Common Features”.

Keep

  This setting lets you choose between Keep even fields and Keep odd fields. It determines which pixels are kept and which are removed. Try both options to see which gives the best results for your image.

Orientation

  This setting lets you choose between deinterlacing Horizontal or Vertical lines.

Block size

  This option lets you set the size of the deinterlaced rows or columns.

#### 4.3.4. Exemplo

Figura 17.40. Exemplo simples de aplicação do filtro Desentrelaçar

No alto: as linhas pares de pixels estão deslocadas um pixel para a direita. Abaixo: uma linha está faltando. Estas imagens estão ampliadas para mostrar os pixels individuais.

“Manter campos pares” marcado. No alto: linhas ímpares foram deslocadas para a direita, para se alinhar com as linhas pares. Abaixo: a linha vazia foi preenchida com vermelho.

“Manter campos ímpares” marcada. No alto: linhas pares foram deslocadas para a esquerda, para se alinhar com as linhas ímpares. abaixo: a linha vazia persiste, mas junta-se acima e abaixo através de um degradê.

4.2. Anti-serrilhamento |  | 4.4. High Pass

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