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So, all right, and hello, and thank you for joining us at our panoptic presentation.

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So, as a quick introduction, let us introduce ourselves.

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So, I'm a Phelic Salier, research engineer at Ceres, so it's a small digital method lab at

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Saban University.

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So, it's David Guelica, who is also a community scientist, and Edwach, who is a research

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engineer, but more in humanities.

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So, today we're going to show you the software we've built, we've been building for

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a couple of years, and this talk will be in three parts, I mean, there are three of us

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will be speaking each.

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So, I'm going to first talk a bit about the context, and what is it all about?

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I'm going to make maybe a quick demo, even as that's maybe a bit stupid to do this

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live, but we'll try.

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Edwach is going to show some research cases, and then David is going to talk a bit more about

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the architecture and our plugin system.

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First of all, I'd like to ask, if you're here, maybe do you work with images in your

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work, yes, some of you, okay, okay, you might be using maybe, we'll see.

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So, yeah, what's panaptic, so this is just a quick sneak peek, like a screenshot of what

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the software looks like, but I'm going to dive into that a bit later.

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First, I want to give a bit of context, so panaptic is a software for today, and make

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exploration of a medium to large data set of images.

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We say medium, like, from a couple of thousands of images to several hundreds, thousands

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of images.

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I mean, we've been working at maximum size, I think, like, 500,000 images.

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It was working pretty well.

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We've never tried a million, but maybe we'll find some day a use case that would work

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with a million.

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We'll see.

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So, we've been building this since May, 2023, so soon two years.

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I started a loan working on a prototype, and then was quickly joined by David, who is now

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the main developer, and by Edwach, who is our main crash tester.

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And then, some time along the way, we use also to work with a research designer to try

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to understand really the needs of the researcher and not be only computer scientists in

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a corner and just building all stuff that we found funny, but really try to understand

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what our software could be used to.

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And, of course, everything is open source.

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We wouldn't be there otherwise, and everything is on GitHub.

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So, one final piece of context, I'm going to talk about the origin of the project,

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what motivated us to build this.

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So, we had this researcher, it's called Dershini Shigia, that you may know or not, who

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was working on large data set of Twitter images, like she gathered data for, I think, almost

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10 years on different political controversy, and was trying to understand how far-right

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movements were using images to communicate and share their ideas.

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So, they collected data, a lot of data, actually 50,000 images at the end, unique images.

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And they had a problem, they faced, they had no tool to really analyze them, because it

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was quite a lot to just look manually.

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And also, their goal was to try to identify redundant images, which was quite hard to do,

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especially when images would have small variations, like cropping, textited, and something

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like that.

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So, yeah, they had Truppy, which is a great tool that you may already know, but it's

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really well to work with already created data sets.

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And it has the lack of automatic, maybe mentioning tool or something like that, to help

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the researchers to dive into the data sets, which can be really exhausting when you

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have to look everything by hand.

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So, we had this that we wanted to, and also we wanted to iterate, because at first,

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Vergeny would ask me a lot to do some Python trip to help use Python models and to do some

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computer visions on the data set, but it was really hard to do, like, some discussions.

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She would have new ideas after my work, then asked new questions, and I should do new

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stuff, and it was kind of long and exhausting.

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So, we thought, why not create our own software to try to work with images and to implement

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machine learning to this insight?

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So now, yeah, it's a part where I'm going to try to do a quick demo to you.

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It worked well with Olivier, so finger crossed it's going to work well with me too.

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So, yeah, yeah, you can see everyone.

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You have here the interface of Panoptic, with, like, a really small data set that we've

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imported to have a bit of context, this is images taken from Twitter, like, six-hour

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images, about the timetic of the Korean-plus-mong, which is another field of study here in

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our lab by studying the images of the far-right.

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So you can see the images, you can also see on the left here a column with all what's called

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the properties.

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Properties are additional data that we can show in the interface, and that comes along

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with the images.

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They're really important when you want to study the images inside their context of

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publication.

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By the way, if you want to look a bit more at the properties, we have, like, a table

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view where you can focus a bit more, for instance, on the text of the images.

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Now what's nice with these properties is that I can manipulate my data with these properties.

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So for instance, if I want to, I can create groups where I can create groups of images along

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the time, and I can choose the granularity of these groups.

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For instance, if I want all the images grouped by months, but I can make the same way

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I can make filters, or I can make sorting, and choose a lot of different properties to

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manipulate my images, and really create subsets of my big data to try to focus on certain

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points.

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I can also, of course, I directly properties already inside of Panaptic, so let's

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try and make, for instance, something called category will be, that will be a multi-tag.

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So now you can see that I have an empty field beside my, below my images that I can modify

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directly.

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So for instance, we can see here, it's a French politician called D'Armagnar.

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This is another French politician who's called Maréchal Le Pen, so I can do my small

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annotation.

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Now I don't want to do this by hand for the whole data set because that would take a

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lot of time.

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So introducing what's really make I think Panaptic interesting is the use of machine learning

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algorithm.

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Like, see, when you import images inside Panaptic, we use a deep learning model called

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Clip to compute embeddings of these images, and then to be able to use machine learning

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algorithm, just for instance, like camines, which is a way of creating groups automatically

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of your images based on their similarity.

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So I can click on the Create Cluster button, and you see, for instance, I will have all the

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images here of one specific street, I don't know in Paris, here only black background,

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which is a bit useless, here more TV screens, here, for instance, more pictures of the

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street.

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You see, there is a lot of virity because it's a generalistic model, and you can have a lot

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of stuff in here, and I can interactively say, okay, this cluster has a lot of things.

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Then you create more cluster inside.

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So I will do it again, and see some sub clusters.

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For instance, I will find another group here showing cups.

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So it could be interesting for me to annotate this.

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So I can do batch annotation, and tag the whole group, can take my property here, and

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create a cups, and see all the images are now tagged with a cups tag.

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Now, another way to use our tools, for instance, would be to group again by the category.

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See our cups, groups, and see, and ask ourselves the questions, do I have more cups in all

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data sets?

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And I can ask Panoptic to do some image suggestions.

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And for instance, here, I will have on the top side of my screen some proposition where

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I can zoom in, by the way, and I can accept them and put them automatically into my groups

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when they fit my needs.

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And I will add more and more cups to try to find a very coherent annotation of all the

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cups that I could find in my data set.

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So you could do that with a lot of things and interact a bit with your covers.

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One last thing that I want to show you is the last similarity tool could be the one image

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mode.

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If I click on an image, I can have all the properties shown, and also I can see all the

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others images sorted by similarity in the data set with by similarity score.

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Here it's a cross-in similarity.

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And I can see, for instance, if I want to, I can add more marion, for instance, and tag

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them.

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And, up, I apply this, and I get in my groups more marion than you can see.

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And again, I could ask for image suggestions to find the missing marion.

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So I can add them and find all the marion marishal in my data set.

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And finally, of course, I can export all the data as I will be annotated in Panoptic in CSV

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format to be used in another tool.

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And now, I'm going to show, I'm going to take this to Edward, who's going to talk about research.

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OK, so I'm going to show you a few examples of research project, currently using Panoptics.

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There can be a group in two, a circuit of degrees, for exporting large web corpora, large

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digitalized corpora or film corpora.

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And it is, of course, possible to imagine applications far beyond them.

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So here, as cases, I'm a personally involved in the exploration of large web corpora.

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At CRS, we work in part on the study of online controversies, on the construction of

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online public problems, and on conflictality around cultural events, for example.

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So we collect material from social networks, and weather, it's Twitter, Instagram, or TikTok,

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for example.

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We work with police, and in these cases, images can be a relevant entry point for exploring

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the corpore, typically, when we're looking at the visual dimension of the objects we study.

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So you can see some examples here.

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So first of all, the challenge is to be able to work with images associated with text,

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data, to work with some publications, but above all, Netflix said it, the challenge is to be

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able to explore and annotate large mass of images in a few a month of time.

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That's where image grouping best on similarity gets interesting.

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As do batch annotation, functionalities, so that we can understand what is in the corpus,

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and objectify it.

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And the tools need to be fairly modular on the question of similarity, because we

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don't always want to put images together from the same reasons.

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For example, on the left, it was my thesis work.

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I was interested about the yellow vest movement, and about the, I was looking to find the

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circulation of boobs of images, sharing the exact same origin.

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For example, different squid and shapes of same videos, the same video of the same picture,

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posted on another social network, for example.

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And on the right, this is a work on the spread of the raticity

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ideology of the breach replenishment, and this time, the problem is quite different,

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because the idea is reserved to detect similar objects.

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So for example, political personality, image of TV sets, or

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semi-autic material for a political communication, for example.

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And we also recently worked with the BB Attack National

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France, the French archives, which is, there is the corpus,

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have different, because we work with objects or images, which are photographed,

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then digitalized, and the problem is the same to a group

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images in function of the similarities, but the difference is about the noise.

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For example, when you are in digital methods, the problem of the noise is in the construction of

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the corpus, but not inside the images.

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And it's different in digital humanities, or there is no noise in the

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construction of the corpus, but you can have noise in the images itself,

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because for example, you can have backgrounds, or no backgrounds,

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when you take the photograph.

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So this can affect the ways of digitalize them, put the images together.

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And one last example, we have a doctorate student, Léonolfi,

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who work on identifying this well-code in costume films.

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She is, for example, interested in repeated shot composition in

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her corpus.

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So what we do is cut the films into images, take every five seconds,

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and we imported them into panoptic.

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And once in panoptic, we are able to find similar shots and

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the visual codes of the film genre, along all the films,

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and the almost 300 screenshots taken.

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I think, and I will let David speak, what we need to draw from this quick presentation of examples,

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is that there is a wide variety of reasons for exploring images,

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which implies adding a tool, a lot of great modular things,

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a use of similarity algorithms, that will never be totally adapted to all the types of images,

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and to all the questions we can ask them.

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So we don't have a lot of time left, so I will speak quickly about our architecture.

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So the storage is just an SQLite database, the backend is Python,

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and UI is a web UI, and we see here that we have loaded our plugin with

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the key factors in the face index that can communicate directly with the backend,

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and also insert data and the database if needed.

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So for the SQLite database, the advantage is that it's very easy to install,

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and also all the data is in one file, which means that if we want to share

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your panoptic project, you can simply copy the file and send it to another person,

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which can import it in the panoptic app, and it will work out of the box.

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And for the backend, we choose Python because it's easy to develop plugins,

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and it's a scripting language, so it works on every operating system,

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and also we have all the Python capabilities, which makes it much easier to use machine learning algorithm.

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For the front end, the idea was that HTML and CSS are well known,

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we don't need to use any UI library, because everyone already has a browser,

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and also we want to allow remote work as our next goals,

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so a browser-based approach sets the foundations for it.

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And now the most important part is the plugins, which are able to customize

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functionalities of panoptic, and we have three main actions, which are the clustering,

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the similarity, and also a more global execute function.

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And to give you an example of a personalization, we had to do in the lab,

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is the clustering of memes, and memes usually have always the same image,

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so clustering on image similarity alone is not very useful.

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We first have to extract the data and then do some special function that will cluster using

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the image, and also the meaning of the text, and to show you an example how it looks like in the UI.

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Here we have the create cluster button, where we can choose our clustering function,

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and in this case it's our panoptic ML compute cluster function that can also have some parameters.

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For example, the vector type and the number of clusters we want to do,

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and we can see in the bottom we have the signature of the function we define,

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and the parameters we give to the function will be shown in the UI, which is very convenient.

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At the same time we also have the similarity view, so for example here we have two images that

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use a different similarity function, and at the top image it's used the colors to find similarities,

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so we find the blue butterflies, and at the bottom image we don't use gray scale image,

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and we see that the results are different in the UI, and if you have special needs you can adapt

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your function to show it differently in the panoptic UI, and the last action is the execute action,

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it's more global action that is basically a way to execute any scripts on a collection of image,

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and the idea behind this is that you don't have to go out of the UI to execute scripts,

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generate data and import it back into panoptic, but you can do it everything from the UI,

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so this was the quick overview of the technical things of panoptic, and if you have any questions

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if you're free to ask, and thank you for listening.

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Yeah, let me put it there.

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I mean, can you repeat the good? Okay, so, yeah, so if I understand what I'm talking about,

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oh, can you repeat the good? Okay, so, yeah, so if I understand correctly your question is like

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can we trust the similarity score that's shown in the, yeah, okay, so the similarity score,

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I would say it will depend on your data set, because sometimes like similarity score of like 99%

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will be like really, really similar images indeed, but it will also depend on the coherence

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of your data set, if you have like very variable images, then maybe the images that are really,

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really similar will have a really high similarity score, but if all the images in your data set

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really look alike, then maybe 99 won't be that representative, so yeah, you need to adapt this

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to try to understand the similarity score. Other questions, maybe? Yeah, I should show

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from the question that was just asked, are you aware of any studies using this tool,

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right, so different data sets, that's a very informative, so we're interested in chemoinformatics,

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because the way you build this embedded system and human-assisted exploration of the

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data sets, and so the UI, it's very interesting. Okay, so the question is, are we aware of

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other scientific like biomedical or bioengineering, like that research, biology chemistry research,

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that are using panoptic, the answer is right now, no, we work mainly with digital humanities

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and media studies, but it would be really interesting to try to apply it to new fields. I think

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David had the contact with someone's working on a natural park, so it's not really biology, but they

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were trying to study, so photo traps, pictures of animal at night and stuff and trying to categorize

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them, and we're trying to write now to use that data set, but we don't have access to it right now,

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but I don't see why it wouldn't work, actually, especially since you can eventually

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use your own model, if the current use is not specified enough, so yeah.

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Yes, I was wrong, it is an off-dig in taking a meter data into account, like to let's say

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it's not possible that a Tesla is on the image that from 1991 is such a thing,

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so the question is, how strong is panoptic to taking a data into account, for instance,

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can we have a filter could be like, it's not possible to have a Tesla, which was posted in 1991,

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that's correct, right, that's your question. I mean, the filters you define it to yourself,

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so you can, but the filters are not used to compute the similarity or to do whatever you want.

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I mean, if you want to filter all the images in your data set that are later than 1991, you can,

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do it if you have the metadata, and if you want to cluster right them or do some analysis inside them,

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you can, but you need to do it manually. I mean, it won't be automatic to detect fake data

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because like it's an image from 1991 and you have a Tesla on it, so it's fake data to fake image.

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That's something that you need to figure out yourself by using the tool, maybe by finding

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all the Tesla in your data set, and then grouping by dates and seeing if you have Tesla images

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that are in 1991, that you can do yes, but it's not full-years metric.

25:30.880 --> 25:36.880
But you can do also a plug-in that could do that. Yeah, yeah.

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Is it possible to use a weak plug-in UI logic, like for example,

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suppose I extract something on the image, text for the previous thing, or objects,

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but I visualize it or take it and you know how to make what has been.

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So the question is, how easy would it be to visualize a data that I would extract myself in a plug-in?

26:01.200 --> 26:10.320
That's right. Yeah. So yeah, especially for OCR text, it's actually quite easy because like in your plug-in,

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you can create a new property, which would be called OCRized text, and then you would have access

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to this property in the global UI. So you could see your text as a property and you could work with that in the UI.

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So it wouldn't be a novel, we don't have the layers, we don't have the layers,

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but we are really thinking about that, especially for objects' instructions,

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that could be quite useful for identifying some part of the images, but we don't have that right now,

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but we are really thinking about it, and I want to do it. I think there was a, do we have time?

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Yeah. Yeah. I've been using penaptic actually on the database of the data. Really?

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20, and it's cool, it's really great contracting with it, but I had the deployment issue,

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because I was deep on a GPU to be able to compute it, should they print on a server with GPU?

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And I would like to propose it to users and users, and I don't want to give the access to my server with GPU.

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So how easy is it to take this, kill it, and have the only available property for instance,

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and put this on some of the server where only the corporations would be computing,

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but you don't need as much power as a calculation. So if it's a scenario, that's going to cost a lot.

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So the question is, is it possible to share a project easily from a server where everything was previously computed,

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and then to share it to a new user who don't have a GPU?

27:43.600 --> 27:51.840
First, I want to say, this is a great question, and it panetic really works on PC that don't have GPU, actually.

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So, a bit of context. But then it would work for you. I mean, you can embed everything in the

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single SQL file, even the images. I mean, you have an option where you can say, can you store

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the images directly in the SQL file, so that's really easy to share afterwards. So if you have

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another panetic, maybe on another server or on another computer, you can just take the SQL file,

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so the panetic points DB, and create a project and import it in your new panetic instance.

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So yeah, it's maybe you will have some bugs, and you can write us, but it's supposed to be working

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from scratch. Yeah. Yeah. Let's take a.

